Photographing Tattoos

Whether you’re a tattoo artist showcasing your work, a photographer capturing the intricate details of body art, or someone simply documenting a personal tattoo, proper technique can make all the difference. Here’s how to effectively photograph tattoos to capture their full detail, colour, and uniqueness.

A macro lens is ideal for capturing close-up details, especially for small tattoos or intricate line work. A standard prime lens (50mm) will also produce sharp, high-quality images if you don’t have a macro lens.

A wider aperture (f/2.8 or f/4) helps isolate the tattoo from the background by creating a shallow depth of field, allowing the tattoo to be the focal point, with a softly blurred background.

Use a low ISO (100-400) to reduce noise and maintain image sharpness. A faster shutter speed (1/200 or higher) is ideal to freeze any motion, especially if the subject moves slightly.

Lighting plays a critical role in how well a tattoo is captured. Tattoos often involve intricate lines and shading, so clear, even lighting is essential.

The best option for most tattoos is natural light, as it helps preserve the true colours of a tattoo. Natural light from windows works well for close-up shots.

If shooting in a studio, soft box or diffused lights are perfect to prevent glare. Use a light with a temperature similar to daylight (around 5500K) to avoid altering the tattoos colour to capture every small detail with clarity and use a tripod for extra stability.

A circular polarising lens will eliminate any glare on the skin for a perfectly lit image.

Using a black background creates maximum contrast with the tattoo, allowing the details, colours, and shading to stand out more clearly which helps highlight the intricate work and nuanced elements of the tattoo design.

The composition of your photograph plays a major role in showcasing the tattoo. Properly frame the shot to highlight the artwork while maintaining an aesthetically pleasing look.

Ensure the tattoo is the clear focal point to showcase intricate details like shading, colour gradients, or small elements.

Shoot from multiple angles to capture the tattoo’s design fully. This is especially important for tattoos that wrap around the body or are placed on curved areas like arms, shoulders, or legs. Try different perspectives to showcase the tattoo’s dimension and flow.

Sometimes, it’s helpful to photograph tattoos in context, particularly if the tattoo is part of a larger piece of body art or relates to the subject’s personal story.

For larger tattoos, a full-body shot or wider framing may be needed to showcase the design in relation to the body.  Using a black or neutral-coloured backdrop helps keep the focus on the tattoos.

Twice Baked Scrumptiousness

There’s something wonderfully nostalgic about biting into a rusk or biscotti. Whether it’s the satisfying crunch, the subtle sweetness, or the way it pairs perfectly with a cup of tea or coffee, these twice-baked treats have a timeless charm.

I had the pleasure of photographing the mouthwatering artisanal creations of Annie’s Rusks. Delicious freshly baked rusks and biscotti, from the all-time favourite buttermilk rusk to the modern Keto variation and classic almond biscotti.

It was difficult not taste-testing everything while capturing the golden crunch of each biscuit with their rustic textures, jampacked full of deliciousness, and inviting aromas which all combined for a truly mouthwatering shoot.

Often viewed as a simple comfort food, rusks and biscotti are more than just a snack, they are a celebration of slow, intentional baking, reminding us the best things in life are often enjoyed in small, thoughtful bites.

Small Studio Photography

The biggest challenge when working in a small studio is having to manoeuvre around light stands, tripods, and other equipment which can take up a lot of space challenging the creativity of various compositions for your subjects who may have their movement restricted in the space.

Despite the space challenges, it’s a great opportunity to be creative by using unconventional shooting angles and using unique props.

A small studio is however well suited to product photography allowing for an efficient workflow and being able to easily manipulate lighting, backdrops, and props to create the desired ambiance to properly showcase a product.

Studio Time

Not sure what has taken so long to convert (albeit small) a spare room into a studio at home – best fun decision in a long time.

Sadly the third wave of Covid is rife in South Africa at the moment so booking regular shoots will have to take a back seat for a while but I will thoroughly enjoy using the space as much as I can in the interim.